HISTORY 220: WAR, MEMORY, MYTH AND HISTORY


North Island College Fall 2011

Meeting Time: Thursdays: 6:00 pm - 9:00 pm

Meeting Place:  DIS 202, Comox Valley Campus

Instructor: Dan Hinman-Smith

Office: Village G6

Office Hours:  Wed. 11:30 am - 1 pm; 4:30 pm - 5:30 pm

Office Phone:  334-5000, Extension 4024

Home Phone250-336-0238 

Web- Site for Course:  http://www.misterdann.com/contentswarmemory.htm

E-Mail: dan.hinmansmith@nic.bc.ca

 

Pablo Picasso, "Weeping Woman" (1937)

Leon Trotsky: "You may not be interested in war, but war is interested in you."


Texts

Walt Whitman:  "Future years will never know the seething hell and the black infernal background . . . and it is best they should not. The real war will never get in the books."


Assignments And Evaluation

Journal                        75%

Class Participation    25%

Milan Kundera:  "The struggle against power is the struggle of memory over forgetting."


The Journal:

The student journal is the main assignment in this class.  The purpose of the journal is to provide you the opportunity for frequent thoughtful, analytical and personal commentary upon course—related material.  The advantages of the journal, to my mind, are that it breaks work down into regular and manageable chunks, and that it enables you to seize hold of the curriculum in a way which reflects your own interests and style.  In order to give you a basic structure and to clearly communicate my expectations, I will specify certain mandated entries.  However,  you are encouraged to be imaginative in your probing of the complex connections between War, Memory, Myth and History.

The excellent journal will:

¨      be at least 35 pages long.

¨      substantial Sites of War Memory component (10+ pages).

¨      include a Things They Carried Reading Response (3+ pages).

¨      include a Complete Maus Reading Response (3+ pages).

¨   include the Letter of Introduction; the War Paintings; the September 11, 2001 Memorial and commentary; the Tomb of the Unknown Soldier mini-project; the Japan and World War II mini-project; the Remembering World War II mini-project; the War and Family Memory mini-project; and the Reflections on War and Memory thought-piece.

¨      include at least 2 reading responses to assigned articles.

¨      include 1 or more War Memory in the News entries.

¨      include 1 or more Audio and/or Video Responses.

¨      include at least 1 web-site review.

¨      include other entries that draw upon class material and/or your independent research.

¨      demonstrate to the instructor that you are approaching the readings and the course with care and effort.

The above list of entries is meant as a firm guide rather than as an absolutely-everything-here must be completed.  The embedded tension within the assignment between structure and flexibility is deliberate.  Talk to me if you want to make some significant individual adjustments.  Do not hesitate to take risks and to express your own opinions.  Do think critically, though try not to succumb to the temptation to always write easy, stream-of-consciousness entries.  This is an assignment designed to encourage and to reward extensive student effort and learning.  The work-load is heavy but my expectation is that a good-faith approach to the course will lead to strong success.  You can include print-outs from the internet in the journal or quote passages but are expected, of course, to identify that which is not your own original work.  Formal footnoting is not required but plagiarized/cut-and-pasted material will likely lead to a failing grade for the course.  Likewise, you should not recycle any writings from other classes.

Henri Cartier-Bresson, (Seville) Spain, 1933

Helen Keller:  "I do not want the peace that passeth understanding.  I want the understanding that bringeth peace."


Class Participation:

Class discussion will be an important part of the course.  Lectures will be mixed with regular conversations about readings, videos and other curricular materials.  What other students get out of HIS 220 will be significantly influenced by the efforts you put into mini-presentations and other course preparation.

The class participation grade will be based upon attendance (I take attendance but only to make distinctions between those who attend very faithfully, regularly, and irregularly); the willingness to contribute thoughtfully to discussion and to listen carefully to fellow students; preparation for mini-presentations; and confirmation in the journal that one has kept up with the readings/research.

Grading in Humanities classes is always arbitrary.  In the case of class participation, these distinctions become all the more difficult to make.  In this course, those students who stand out through consistent contribution to full-class and small-group discussion will be rewarded with a top participation grade.  Those students in the middle who attend regularly but who, for whatever reason, do not get a chance to shine in class, will be graded on their written work alone (the 75% being pro-rated up to 100%).  Any students who have poor attendance and/or offer little evidence of being consistently prepared for mini-presentations will receive a low grade for this one important component of the course.

In other words, as long as you are involved in the course and making an attempt to add to the learning of your classmates, the participation grade can only help you and will in no circumstances be used to lower your overall grade.

Amy Tan:  "Memory feeds imagination."


Tentative Class Schedule

Thursday, September 8    INTRODUCTION

a)  Introductions

b)  Diplomacy Role Play

c)  Video: “Aftermath – The Remnants of War” (National Film Board: 2001).  [74 minutes]


Thursday , September 15   WHOSE GROUND ZERO? (1): THE UNITED STATES, JAPAN AND WAR MEMORY

a)  Shadows of the Twin Towers: Discussion of 9/11 Memorial designs, memories and commemoration.

b)  Discussion:  "Thank God for the Atom Bomb"

c)  Lecture:  Memories of Fire -- Hiroshima and Nagasaki

***READING:

Preparing For The Class:

i)  Write your Student Introduction: Who are you?  Where are you from?  What are your interests?  Why are you taking this course?  What are your thoughts on entering the course about the relationship between war, memory, myth and history?  Do you have any questions, concerns, or suggestions as we start the course?

ii)  Browse extensively in the Remembering September 11th Discussion Topic and pay some attention to the commemoration ceremonies.  Think about issues associated with the memorialization of the World Trade Center and Pentagon attacks.

iii)  Complete your own design for a memorial to the victims of the World Trade Center attack.  Include a rudimentary architect's sketch and come prepared to explain your ideas.  Write an accompanying 1 or 2-page journal entry that addresses the following questions:  How should September 11, 2001 be memorialized, and why?  What do you remember about September 11  and how has your understanding of that day changed?

iv)  Read the Paul Fussell article.

Lewis Carroll:  "It's a poor sort of memory that only works backward."


Thursday, September 22    WHOSE GROUND ZERO? (2): THE UNITED STATES, JAPAN AND WAR MEMORY

aStudent Mini-Presentations: Japan and World War II Memory

bLecture: The United States And Victory Culture

c)  "You Wear Your X and I'll Wear Mine": The Confederate Flag and the Burdens of History

***READING:

Prime Minister Koizumi at the Yasukuni Shrine


Thursday, September 29    PICTURING WAR

a)  Discuss Iconic Photos and "Regarding The Pain Of Others"

b)  Discuss Collective Memory And Social Theory

cArt Of War

d)  Video: "Masterworks -- The Third of May" [50 minutes]

***READING:

Preparing For The Class:

i)  Browse extensively in the Iconic War Photos Discussion Topic.

ii)  Read the Sontag article (I have included an on-line article that covers much of the same material as the xeroxed hand-out from class but recommend the "Regarding the Pain of Others" hand-out in preference to the linked article).

Otto Dix, "Flanders"

Pablo Picasso:  "Painting is not done to decorate apartments.  It is an instrument of war." [1944]


Thursday, October 6

a)  Student Mini-Presentations: Tomb Of The Unknown Soldier

b)  Video:  “War Without End,” Episode 8 of The Great War and the Shaping of the 20th Century (1996).  [55 minutes]

Preparing For The Class:

i)  Complete a small poster for display in the classroom that includes a quotation about war and/or memory.

ii)  Prepare your Tomb of the Unknown Soldier mini-presentation.


Thursday, October 13

a) Song: "And The Band Played Waltzing Matilda"

b)  Discussion: Australia and World War I; Armenia and World War I

c)  Art Of War

d Lecture: The Holocaust And The Limits Of Representation

***READING:


Thursday, October 20  

a)  Finish The Holocaust And The Limits Of Representation

b)  Discussion: "Behold Now Behemoth."

c)  Discussion: Art Spiegelman, Maus

d)  Lecture: Collective Memory And Social Theory

***READING:

***FIRST HALF JOURNAL DUE


Thursday, October 27

aVideo: "Rape Of Europa" (2 hrs.) [2008]

***READING:


Thursday, November 3

a)  Discussion: Spanish Civil War And Historical Memory and Guernica

b)  Student Mini-Presentations: Remembering World War II

***READING:


Thursday, November 10

a)  Video: "Remember My Lai"

b)  Discussion: Tim O'Brien, Things They Carried

***READING:


Thursday, November 17

a)  Student Mini-Presentations: War And Family Memory

b)  Lecture: Next Year In Jerusalem -- Israel, Judaism And War Memory

Adolf Eichmann in Jerusalem


Thursday, November 24:  A DISTANT MIRROR 

a)  Lecture: O Sing Of The Wrath Of Achilles -- Ancient Greece And War Memory


Thursday, December 1

a)  Student Mini-Presentations: Sites Of War Memory

b)  Discussion: National Anthems

c)  Video: "Mirror, Mirror" (Northern Ireland, Blood and Belonging Series) [50 mins]

***READING:

Martin Tupper:  "Memory is not wisdom; idiots can by rote repeat volumes.  Yet what is wisdom without memory?"


Thursday, December 8

a)  Discussion: "We Stand On Guard For Thee" -- Canada And War Memory

b)  Video: "A License To Remember -- Je Me Souviens" (2003) [60 minutes]

***READING:


***SECOND HALF JOURNAL DUE BY THURSDAY, DECEMBER 15


W.H. Auden:  "To save your world you asked this man to die.  Would this man, could he see you now, ask why?"

 

 

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