WAR ON FILM
The following is a list of movies and documentaries that can be watched at home (or at Uncle Herbert's). The films have been chosen because they involve the theme of war and memory. One course responsibility is to watch two of these films by the end of the semester (you can substitute one or two audio programmes from the War On Audio link if you prefer). We will discuss Film and War at the end of the semester.
For your journal, list the film title; the year of its production; and the nationality of its director. Then, analyze the movie, with a particular focus upon the theme of memory. Here are some questions to think about. What importance does war play in the film? How does the film understand the meaning of war? What metaphors and symbols are used? How do the characters fit together, and what, if anything, do they each represent? How is the enemy portrayed? How, ultimately, does this film suggest the war in question should be remembered and what evidence can you find about how influential this film was in shaping collective memory? What will you remember about this movie?
You can, of course, offer a critical review of the movie but note that this is not the main point of the assignment. Excellent films can help us to connect to the past. Very poor films, however, sometimes can still be influential in shaping collective memory or can serve as revealing historical documents.
CLICKING ON THE VIDEO COVERS WILL TAKE YOU TO INDIVIDUAL REVIEWS FROM THE WEB-SITE ROTTENTOMATOES.COM .
"Across the Pacific" (1942)
(100 minutes) -- A Humphrey Bogart period -piece
that becomes a revealing historical document about Hollywood's images of Asia,
Asian-Americans, and "girls from Saskatoon" during World War II.

"All Quest On the Western Front"
(1930) (NR) (103 minutes) --
Director Lewis Milestone's film adaptation of Erich Maria Remarque's 1929
antiwar novel.

"Apocalypse Now Redux" (2001) (202 minutes) --
"Ararat" (2002) (R) (115 minutes) --
Atom Egoyan's exploration of memory and the Armenian genocide of World War I.

"Atomic Cafe" (1982) (NR) (88
minutes) -- A documentary collage
that weaves together contemporary footage from the post-World War II era to do
with nuclear issues.

"Au Revoir Les Enfants" (1987) (PG)
(103 minutes) -- Louis Malle's
semi-autobiographical film about Jews hiding in German-occupied France during
World War II.

"Bach In Auschwitz" (1999) (104 minutes) --
"Barefoot Gen" (1983) (NR) (80
minutes) -- The anime adaptation of
atomic bomb survivor Keiji Nakazawa's autobiographical comic book series.

"Battle of Algiers" (subtitled)
(1966) (NR) (125 minutes) -- An
influential film that chronicles the Algerian struggle for independence from
the French (154-1962).

"Bent" (1997) (R) (104 minutes) --
"Best Years of Our Lives" (1946) (168 minutes) --
"Birth Of A Nation" (1915) (NR) (127
minutes) -- D.W. Griffith's story of
heroic Ku Kluxers saving a prostrate South in the aftermath of the U.S. Civil
War was significant not only as the first major feature film but as a document
that popularized the idea of the Confederate "Lost Cause."

"Black Rain" (subtitled) (1989) (NR)
(123 minutes) -- The fallout,
physical and metaphorical, from the August 6, 1945 bombing of Hiroshima.

"Born On the Fourth of July" (1989) (145 minutes) --
"Boys From Brazil" (1978) (R) (127
minutes) -- Gregory Peck stars in
this movie about Josef Mengele's attempt to clone a new generation of Hitlers.

"Braveheart" (1995) (R) (177 minutes) --
"Breaker Morant" (1979) (PG) (107
minutes) -- Bruce Beresford's
Australian film about three soldiers facing court-martial and execution for
killing a German minister and some Afrikaan prisoners during the Boer War
(1899-1902).

"Bridge of the River Kwai" (1957)
(PG) (162 minutes) -- The World War
II classic, based on the story of British POWS forced to build a bridge to aid
the Japanese war effort.

"A Bright Shining Lie" (1998) (118 minutes) --
"Butcher Boy" (1998) (R) (118 minutes) --
"Casualties of War" (1989) (R) (120
Minutes) -- Michael J. Fox and Sean
Penn star in a film in which an Army private breaks with his buddies after
witnessing a war atrocity.

"Catch-22" (1970) (121 minutes) --
"Coming Home" (1978) (R) (131
minutes) -- An important
period-piece that stars Jon Voight and Jane Fonda in a United States crippled
by the Vietnam War.

"Copenhagen" (2003) (NR) (117
minutes) -- A philosophical essay
based upon the legendary 1941 meeting between the German scientist Werner
Heisenberg and his Danish friend Neils Bohr.

"The Crying Game" (1992) (R) (112 minutes) --
"Dances With Wolves" (1999) (180 minutes) --
"The Danger Tree" (1996) (NR) (49 minutes) -- A documentary based on David MacFarlane's memoir of World War I's impact upon his Newfoundland family.
"Danton" (English subtitles) (1982) (PG) --
"Das Boot" (Dubbed in English or subtitled) (1982) (209 minutes) --
"Dear America: Letters Home From Vietnam" (1988) (84 minutes) --
"The Deer Hunter" (1978) (183 minutes) --
"Devil's Arithmetic" (1999) (101 minutes) --
"Divided We Fall" (2001) (PG) (117 minutes) --
"Dr. Strangelove" (1964) (93 minutes) --
"Europa, Europa" (English subtitles) (1991) (115 minutes) (R) --
"Fail-Safe" (1964) (NR) (113
minutes) -- Henry Fonda stars in
another example of the genre of Cold War era films that rendered public
American nuclear fears.

"Farewell My Concubine" (English subtitles) (1993) (157 minutes) (NR) --
"Farewell To Arms" (1932) (NR) (90
minutes) -- The film adaptation of
Ernest Hemingway's novel about World War I.

"Fat Man and Little Boy" (1989) (127 minutes) --
"From Here To Eternity" (1953) (NR)
(118 minutes) -- The lives of
American military men on the eve of World War I.

"Full Metal Jacket" (1987) (117 minutes) --
"Gallipoli" (1981) (PG) (111
minutes) -- Peter Weir's film about
Australia's coming of age during World War I.

"Gandhi" (1982) (PG) (187 minutes) --
"Gathering Storm" (2002) (NR) (96
minutes) -- An HBO movie about
Winston Churchill's struggles in the years leading up to World War II.

"Gladiator" (2000) (R) (155 minutes) --
"Glory" (1989) (122 minutes) --
"Gone With the Wind" (1939) (233 minutes) --
"Good Morning Vietnam" (1988) (121 minutes) --
"Grand Illusion" (English subtitles) (1937) (111 minutes) --
"Grave Of the Fireflies" (1988) (NR)
(88 minutes) -- A 14-year-old
Japanese boy and his very young sister attempt to survive World War II in the
town of Kobe. An animated feature.

"Green Berets" (1968) (G) (142
minutes) -- No American film more
strikingly transfers Western frontier mythology to the jungles of Vietnam.

"Heimat I & II: The Chronicle of A
German Family" (1984-1994) (NR) (39 hours) --
An ambitious German television mini-series
that traces the history of the recent past.

"Hiroshima Mon Amour" (English subtitles) (1959) (R) (91 minutes) --
"Hotel Terminus: The Life and Times of
Klaus Barbie" (1988) (NR) (270 minutes) --
A documentary in which Marcel Ophuls not only traces the biography of the SS
officer who would come to be known as the "Butcher of Lyons" but also uses the
lead-up to his trial as a way to explore others' relationships with the past.

"The Human Condition" (subtitled)
(1958-1961) (NR) (570 minutes) --
Masaki Kobayashi's trilogy that uses Japan's war in China as a backdrop for a
meditation upon what it means to be human.

"I'll Remember April" (1999) (90 minutes) --
"Jaccuse" (subtitled) (1937) (NR)
(100 minutes) -- Abel Gance's
antiwar drama.

"Jakob the Liar" (1999) (PG) (120 minutes) --
"Joan of Arc" (1999) (NR) (140 minutes) --
"Judgment At Nuremberg" (1961) (NR)
(191 minutes) -- Spencer Tracy and
Burt Lancaster star in the epic that portrays the post--1945 trials of accused
Nazi war criminals.

"The Killing Fields" (1984) (R) (142) --
"Knocks At My Door" (subtitled) (1995) (NR) (105 minutes) --
"The Last Butterfly" (1994) (PG) (106 minutes) --
"The Last Emperor" (1987) (PG) (164 minutes) --
"Life Is Beautiful" (1998) (PG) (116 minutes) --
"Lifeboat" (1944) (NR) (96 minutes)
-- Eight individuals are stranded
together after a German submarine sinks a passenger liner.

"Little Big Man" (1970) (147 minutes) --
"M.A.S.H." (1970) (116 minutes) --
"Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr." (1999) (NR) (91 minutes) --
"The Nasty Girl" (subtitled) (1990) (PG) (94 minutes) --
"Night and Fog" (1955) (NR) (32
minutes) -- Alain Resnais's short
documentary is still regarded by many as the most powerful film representation
of the Holocaust.

"No Man's Land" (subtitled) (2001)
(R) (98 minutes) -- Dani Tanovic's
debut film about the absurdity of the Bosnian War.

"On the Beach" (1959) (NR) (139 minutes) -- A culturally-significant film representation of a post-apocalyptic world.
"Open City" (subtitled) (1945) (NR)
(103 minutes) -- An early neorealist
film that follows resistance fighters battling fascism in Nazi-occupied Italy.

"Paths of Glory" (1957) (NR) (89 minutes) --
"The Patriot" (2000) (165 minutes) --
"Patton" (1970) (PG) (172 minutes)
-- The Oscar-winning film at least
implicitly represents one of the earliest in a continuing genre that explores
the relationship between World War II and the Vietnam War.

"Pawnbroker" (1965) (116 minutes) --
"Pharaoh's Army" (1995) (90 minutes) --
"The Pianist" (2002) --
"Platoon" (1986) (120 minutes) --
"The Quarrel" (1991) (108 minutes) --
"Quiet American" (2002) (R) (102
minutes) -- A relatively faithful
adaptation of Graham Greene's prescient 1950s-era novel, it explores the
relationship between a world-weary British journalist, a Vietnamese woman, and
an idealistic young American.

"Rambo: First Blood" (1982) (R) (96
minutes) -- An important movie not
only for its near-destruction of Hope, B.C. (the site of its filming), but
also for its reinterpretation of the memories of the Vietnam War.

"Red Cherry" (subtitled) (1995) (R)
(120 minutes) -- A Chinese film that
follows the struggles of two Chinese boarding school students to survive
during the Germans invasion of the Soviet Union during World War II.

"Regret To Inform" (1998) (78 minutes) --
"Rhapsody In August" (subtitled) (1991) (PG) (98 minutes) --
"Sands of Iwo Jima" (1949) (NR) (129
minutes) -- The classic John Wayne
World War II combat action flick, more significant for its cultural impact
than for its cinematic subtleties.

"Saving Private Ryan" (1998) (168 minutes) --
"Schindler's List" (1993) (R) (197 minutes) --
"Seventh Seal" (subtitled) (NR) (96 minutes) --
"Shoah" (1985) (NR) (566 minutes) --
Claude Lanzmann's epic documentary about the Holocaust.

"Slaughterhouse Five" (1972) (R) (104 minutes) --
"Specialist" (Subtitled) (1999) (NR)
(128 minutes) -- An experimental
documentary that uses the 1961 Jerusalem trial of SS colonel Adolf Eichmann as
its focal point.

"Such A Long Journey" (1998) (NR) (113 minutes) --
"Tenth Man" (1998) (NR) (100 minutes) --
"Thin Red Line" (1998) (170 minutes) --
"Thirteen Days" (2000) (145 minutes) --
"The Tin Drum" (subtitled) (1979) (R) (142 minutes) --
"Train of Life" (subtitled) (1998) (R) (103 minutes) --
"Triumph of the Will" (subtitled)
(1934) (NR) (115 minutes) -- Leni
Riefenstahl's documentary celebration of the rule of Hitler and the Nazis.

"Tuskegee Airmen" (1995) (106 minutes) --
"Ulysses' Gaze" (1995) (NR) (173
minutes) -- Winner of the Grand Jury
Prize at Cannes, it follows a Greek-American filmmaker obsessed by the video
of two brothers who chronicle ethnic conflict in the Balkans.

"Valour and the Horror" -- A three-part documentary about Canadian participation in World War II that was the target of considerable outraged criticism upon its early 1990s-era release.
"The Year of Living Dangerously" (1983) (PG) (115 minutes) --